The most conceptually driven of my work and the most archaic. The process is a derivative of autonomous production techniques used by the Surrealists, but is also a clearer example of my streaming theory. In this fourteen piece series the appropriated image is passed through a series of digestive methods that sharpen and focus the intent. The work enlarges as it grows causing a greater degree of thought and physical approach. I see this work as a hermetic act of enlightenment. I was able to break personal and aesthetic thresholds that have since carried into my current approach and practice.